Aishwarya Rai’s semblance of the late Padmini is unmistakable, it could be her dialogues or the way she manages her composure attentively even in the hardest of terrains the character puts her through.
The lady sure has attempted to reach on par with Vikram in performance in many sequences. Kudos to Mani for a dignified portrayal of his lead woman. There is a refreshing strength in Ragini’s character brought out well by Aishwarya.
First things first. 'Raavanan' is not what everyone thought so. It isn't a contemporary adaptation of Ramayana. Instead, it's the Valmiki's epic meeting Shakespeare's Othello. The master filmmaker Mani Ratnam has apparently taken inspiration from these greatest works to narrate a gripping story in his own inimitable style.
Aishwarya is pretty and comes out with her best. Prithviraj and Priyamani have taken the challenge of being part of a Mani Ratnam's film and delivered their best. John Vijay walks away doing a negative role.
Mani Ratnam's Raavan is getting rave reviews in the American media with the New York Times making it "a Critics' Pick", a distinction rarely if ever earned by an Indian film.
The Los Angeles Times as also entertainment trade papers Variety and Hollywood Reporter too have praised the film that opened on Friday on over 2200 screens around the world in 35 countries including US and Canada.
Raavan with its elemental images located in the deepest recesses of the forests is apocalyptic in its movement and suggestions. The image of Aishwarya Rai Bachchan plunging from the heights into a waterfall and getting trapped in a dry tree remains the one visual that surpasses all other recent and remote celluloid mise en scene suggesting a link between Nature and vulnerability.
No actress but the divine Aishwarya could have played the beauteous and virtuous modernday Sita who’s kidnapped by a Maoist Raavan and taken through 14-day experience echoing Lord Rama’s 14-year banwas.
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